Depeche Mode 9/9/17

(a) setlist

  1. Going Backwards
  2. So Much Love
  3. Barrel of a Gun
  4. A Pain That I’m Use To (Jacques Lu Cont remix)
  5. Corrupt
  6. In Your Room
  7. World in My Eyes
  8. Cover Me
  9. A Question of Lust (acoustic)
  10. Home
  11. Poison Heart
  12. Where’s the Revolution
  13. Wrong
  14. Everything Counts
  15. Stripped
  16. Enjoy the Silence
  17. Never Let Me Down Again

Encore:

  1. Somebody
  2. Walking in My Shoes
  3. Heroes (David Bowie cover)
  4. I Feel You
  5. Personal Jesus

(b) highlights

  • Depeche!!! Mode!!!! YESSSSS!
  • this was one of the best show I’ve seen in such a long time, probably the best performance of the year. I’m still buzzing about it, and I’m writing about this over a month and a half later.
  • this setlist was out of control, so tight, so measured, so so damn good.
  • I’ve heard roughly a dozen covers of “Heroes” over the last two years since Bowie’s death and this was the best without a doubt. hands down.
  • “In Your Room,” “Wrong,” and “Everything Counts” were phenomenal; don’t even get me started on “Enjoy the Silence” and “Personal Jesus.”
  • the high-class visuals of this show were probably the best I’ve ever seen since New Order and U2; the use of the screens and runways was made for massive arenas yet totally made Madison Square Garden feel small and intimate.
  • the perfect classics fit so perfectly along Depeche Mode’s new music and that is definitely something I can say about legacy acts.
  • this show was so good that it made me raise my personal bar for what determines a great show and performance; if you’ve been around for over a decade, have money, and claim to prioritize the necessity of showmanship, then you better see Depeche Mode and see how they’ve perfected it.

(c) lowlights

  • nothing. not a single thing.

(d) overall thoughts

I’ve been a fan of Depeche Mode since high school when I first discovered them. Like U2, The Smiths, The Cure, and other 80’s bands that I deeply treasure, Depeche Mode have always been artists that felt untouchable and unreal to me. And after seeing them at Madison Square Garden at this show, David Gahan, Andy Fletcher, and Martin Gore feel even more godly.

I think the reason this show felt so legendary to me was because I was expecting something else. It would’ve been so insanely easy for Depeche Mode to stroll out, play a couple of classics, maybe throw in a few new cuts, and most people probably still would’ve had a good time. But that’s not at all what they did. They didn’t settle whatsoever. Gahan came out with more star-power energy than guys half his age. But that’s exactly the point of what made this show next level: not a single moment was half-assed.

Even though I was sitting at the clear back of the venue in pretty good seats, and I’ve definitely had better seats at Madison Square Garden, I’ve never seen a crowd with more energy. And I have seen massive groups perform there. Radiohead, U2, Blur, The Cure and Morrissey all had notable, high-energy crowds, but none of them could touch this. At one point, I couldn’t even hear Gahan singing “Everything Counts,” but thousands upon thousands voices all chanting together. I felt like the walls of MSG were going to fall off.

I feel like I could talk endlessly about Gahan’s energy as a frontman, Martin Gore’s strength as a both a singer and guitarist, Andy Fletcher’s consistent purity, hit after hit shocking the audience with their perfection, and the unbelievable visuals, but I would much rather tell you to see Depeche Mode and see them as soon as you can. You will only regret missing them.

Bottom line: Depeche Mode have no interest in resting on their laurels as musicians and performers, and that’s just one more reason they’re incredible artists. I won’t forget this show and have no problem saying it’s probably the best performance I saw this year. This is one of those shows I’ll be thinking about and remember for years and years to come.

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