- Tennis Court
- Magnets (Disclosure cover)
- 400 Lux
- Buzzcut Season
- Sober II (Melodrama)
- Hang With Me (Robyn Cover) (Feat. Jack Antonoff)
- Liability (Feat. Jack Antonoff)
- Perfect Places (Feat. Jack Antonoff)
- Green Light
- LORDE!!!!! This. girl. is. FAB.U.LOUS.
- Seriously, can I be friends with Lorde. I know she has several posses and what not, but like…I can contribute.
- First time seeing with witchy girl and I am SO on board with everything
- The clear, glass shipping container that was the focus of her stage production was so oddly unique and clever. The dancers, the lights, how she interacted with the stage – whoever’s job it is to conceive of that stuff needs a raise
- looking back on the setlist right now, I can’t believe she only played 13 tracks – I felt like we spent the whole weekend together; everything was perfectly paced and I totally loved how many new tracks she threw in. I’m not here for singles-only sets and neither is Lorde
- there was a group of young 20-somethings/late teens standing near me and my friends and they were low-key crying throughout the set and even though I felt a lot older than them that night, I just wanna say “same”
- this completely accidental and beautiful moment during the final bridge of “Team” when all the lights were flashing, the sun was finally setting over the horizon, Lorde is singing “we’re on each other’s team,” and then I look up into the sky and this perfect pack of ducks are flying in a V formation right over the stage. it was so bizarre and beautiful and oddly perfect.
- I’m not exactly a fan of Jack Antonoff so I thought his presence was a bit much, but honestly, Lorde loves him and he didn’t really talk, so he was the perfect accessory to her fantastic performance
(d) overall thoughts
Like most people, I discovered Lorde after “Royals” dropped out of practically the sky above. But it wasn’t until I heard a few years ago that David Bowie was a fan before he died, so I knew it was time to start paying attention. I never watch the Grammy’s or generally acknowledge its presence, but for some reason, I really remember the year that Lorde won and how she so awkwardly accepted her award, all dressed in black, her hair long and curly, and sort of ran off-stage. Her inherent authenticity – a word I dislike and rarely use – totally killed me.
A bit after, I got into Pure Heroine and realized that this chick was special and couldn’t miss her at Gov Ball. She walked out wearing a lace veil over her face slowly singing the refrain to “Green Light” and pretty much the rest is history. Dressed in black and lace and heels I would’ve died in, she danced across the stage like she owned it and everyone was at her whim. She opened with my favorite song “Tennis Court,” which I still feel like is such a bizarre song for a pop singer to have as a single off their first album. The melody is so unusual, the imagery is almost mismatched with Lorde’s aesthetic, yet everything about it works so well. It’s the interesting contradictions that make Lorde so special. What even is this girl? She’s herself.
Her banter in-between songs was so genuine and authentic, I swore that we were old friends. The stage and festival grounds became a very, very large bed where we all chatted at the largest and most intimate pajama party ever. And I mean that in the least condescending way possible. Lorde is ethereal, young, fresh, weird, and everything you wish you were at her age. The tracks she played from her new album feel powerful, meaningful, and I won’t be one bit surprised when Melodrama completely blows up the world.
Bottom line: Lorde is one of the most authentic performers in recent memory; her unique vulnerability and fresh perspective almost makes me wish I could relive my high school years if only so she could be there to guide me.